Sort By:

ALL MOVIES:

21/02/2024 Cinematographers & Gaffers talk dedolight: in praise of perfection
This movie shows what dedolight is about. Covering all the major aspects of dedolight, told by cinematographers, gaffers, and those who work with the dedolight system, this provides a complete overview of the dedolight system - from the classic DLH4 tungsten light, to HMI lighting, soft light, LED light, reflected light, multicolored light... dedolight has been used in all areas of cinematography, from television to feature film production, news, corporates, events, product shots, photography... dedolight has been used in all areas of image creation. Featuring (in order of appearance): Roy H...
Duration: 11:57

27/03/2022 Roy H. Wagner: Cinematographer
With over 50 years working in the film industry, Roy Wagner talks openly about his life as a cinematographer, the effect dedolight has had on his own work and the rest of the production industry, and many insights and glimpses into working on major motion pictures and the challenges which this brings. **Roy H Wagner** Roy Henry Wagner III (born January 12, 1947), ASC, is an American cinematographer known for dramatic, dark imagery. Named by Kodak as one of the "Top 100 Directors of Photography in the World" Wagner's career has spanned 35 years in the motion picture and t...
Duration: 38:27
Keywords:


07/03/2022 Ross Dunkerley: Gaffer/Chief Lighting Technician - Working with dedolight
**Ross Dunkerley: Gaffer/Chief Lighting Technician, working with dedolight** Ross Dunkerley is known for his work on Gran Torino (2008), The Hunger Games (2012), Sully: Miracle on the Hudson, (2016), Captain Marvel (2019) and The Marksman (2021). In this interview Ross speaks about dedolight and how these have been used in his work for both feature films and television. 
Ross reveals, insightfully, his experiences behind the scenes, working with Clint Eastwood; Conrad Hall; the role of dedolight in lighting the roses in American Beauty (1999); and also thoughts on modern cinematography an...
Duration: 13:12

18/05/2020 Nigel Stone: Special Effects Cinematographer (Part 2)
Interview with Nigel Stone, special effects cinematographer, about the use and benefits of using dedolight for special effects shootings. Credits as SFX cinematographer (shortened list of movies): Batman • James Bond: GoldenEye • Mission: Impossible II • Harry Potter (1-6) • Charlie and the Chocolate Factory • The Brother Grimm • Total Recall (2012) • Sherlock Holmes: A Game of Shadows
Duration: 03:33

18/05/2020 Nigel Stone: Special Effects Cinematographer (Part 1)
Interview with Nigel Stone, special effects cinematographer, about the use and benefits of dedolights for special effects shootings. Nigel explains how dedolight were used to illuminate miniature models of "Hogwarts" in "Harry Potter"-movies. Credits as SFX cinematographer (shortened list of movies): Batman • James Bond: GoldenEye • Mission: Impossible II • Harry Potter (1-6) • Charlie and the Chocolate Factory • The Brother Grimm • Total Recall (2012) • Sherlock Holmes: A Game of Shadows
Duration: 07:53
Keywords:


18/05/2020 Two cinematographers: Stuart Harris & Billy Williams (part 2)
A conversation between 2 cinematographers about the development and changes in lighting technology and the impact of the dedolight system. **Billy Williams** Billy Williams has been nominated 3 times for Oscars, and won an Oscar for his cinematography for Gandhi (1982). Billy was also responsible for shooting a number of films, including Women in Love (1969), On Golden Pond (1981), The Wind and the Lion (1975), Sunday Bloody Sunday (1971). Williams retired on New Year's Day 1996. Since retirement he has travelled, conducting work shops on film. He was appointed Officer of the Order of ...
Duration: 04:13
Keywords:


18/05/2020 Two cinematographers: Stuart Harris & Billy Williams (part 1)
A conversation between 2 cinematographers about the development and changes in lighting technology and the impact of the dedolight system. **Billy Williams** Billy Williams has been nominated 3 times for Oscars, and won an Oscar for his cinematography for Gandhi (1982). Billy was also responsible for shooting a number of films, including Women in Love (1969), On Golden Pond (1981), The Wind and the Lion (1975), Sunday Bloody Sunday (1971). Williams retired on New Year's Day 1996. Since retirement he has travelled, conducting work shops on film. He was appointed Officer of the Order of ...
Duration: 07:58
Keywords:


18/05/2020 The light that changed the world (part 3)
Featuring: Paul Tepper, President, Dedotec US The “classic” dedolight DLH4 was first brought to market in the mid-1980s and has become essential equipment for many lighting camera operators, crews, gaffers and cinematographers. In many countries this is standard equipment predominantly used by mobile TV crews. The DLH4 produces a clean beam of light which can be focussed into a tight spot, or spread wide with a 25:1 flood to spot range. If you need wider than is available natively out of the DLH4 a non-spherical wide-angle is available. Further accessories include imager attachm...
Duration: 08:00
Keywords:


18/05/2020 The light that changed the world (part 1)
Featuring: camera operators, gaffers, and cinematographers who all use and work with the dedolight system; lighting demonstration by cinematographer, Jonathan Harrison https://www.lightingmatters.tv. The “classic” dedolight DLH4 was first brought to market in the mid-1980s and has become essential equipment for many lighting camera operators, crews, gaffers and cinematographers. In many countries this is standard equipment predominantly used by mobile TV crews. The DLH4 produces a clean beam of light which can be focussed into a tight spot, or spread wide with a 25:1 flood to spo...
Duration: 08:42
Keywords:


18/05/2020 The light that changed the world (part 2)
Featuring: camera operators, gaffers, and cinematographers who all use and work with the dedolight system; lighting demonstration by cinematographer, Jonathan Harrison https://www.lightingmatters.tv. The “classic” dedolight DLH4 was first brought to market in the mid-1980s and has become essential equipment for many lighting camera operators, crews, gaffers and cinematographers. In many countries this is standard equipment predominantly used by mobile TV crews. The DLH4 produces a clean beam of light which can be focussed into a tight spot, or spread wide with a 25:1 flood to spo...
Duration: 10:20
Keywords: